Peter Bill is an Artist, Activist and Educator. He has, since learning photoshop v. 1.5, been interested in connecting under-represented communities with digital tools so their voices may be broadcast. He has been involved with large scale video projections, guerrilla art actions, and community building since the 90s.
Peter Bill's award winning paint and video landscapes have shown in such diverse venues as The Kitchen(NYC), the Henry Art Gallery(Seattle), FILE Festival(São Paulo, Brazil), and other international venues. He continues in his Oil paintings and video work to weave the painterly with the digital, pixels and paint, indigo and 191970 blue. He envisioned and realized the first time-lapse film festival in North America, the Gila Timelapse Film Festival and has curated and directed shows on three continents. "Art must be realized on the streets, as an agent of change and progress."
Much of my art has been about creating a vessel, a space for meditation. Through my painting and video installations I hope to create a moment of quietude, a contemplation of this world we have built.
In my mural and documentary film work I have balanced a certain transcendentalism in my heart with my didactic scots-yankee bones. In the public sphere arts role is to inspire and provoke. Therefore in my mural projects I have attempted to involve the local community in the conception and realization of my projects. In my animations and short films I have attempted critiques of the bathetic apocalyptic culture we live in, the false utopia of the California landscape, the contested landscape of New Mexico, and tried to get to the situation on the ground in war torn Bosnia, among other subjects. The world is a complicated, granular place. We cannot oversimplify with our stories, but we can in their telling change opinions, and thus change the world for the better.
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The findings indicated that various benefits provided by the online environment were unquestionable. Aspects noted largely reflected the literature such as: much more information being available and accessible (Liu, 2005). Such demands resulted in an increase in reading speed, and more selective and more discerning reading (Flavian & Gurrea, 2007). However, the demands also resulted …
Our talented student and founding member of the Silver City art intelligentsia, Kate Brown is doing a Kickstarter campaign to get her Oxberry functioning! This is very exciting on many fronts: an excellent local source for animators and a way to get (inter)national artists to come to the Silver City area… Please support in any way you …
Recent events have shown us more than ever that the technologies we use and create every day have astonishing implications on our basic, most cherished rights. Tens of thousands more people have joined us in the past year alone—together, we’re building a movement. But we need your help. Today, we at EFF are unveiling new tools for …
Maria Popova at Brain Pickings writes: From my friends at PBS Digital Studios and filmmaker James W. Griffithscomes A Solitary World — a breathtaking homage to H.G. Wells, with text adapted from five of his most celebrated works: The Time Machine (1895), The Island of Dr. Moreau (1896), The First Men in the Moon (1901), In The Days of the Comet (1906), The World Set Free (1914). Read by …
By a NYT art critic who is frankly part of the problem… Money — the grotesque amounts spent, the inequitable distribution — has dominated talk about art in the 21st century so far. It’s a basic fact of art history. Emperors, popes and robber barons set the model for the billionaire buyers of today. Of …